Published: 2007-11-27
ISBN:
ISSN: 1650-3686 (print), 1650-3740 (online)
Production of experiments – in art and physics - aim to expand the capacity of the body by transforming the scale as well as the perspective of the observer as producer of the experiment. Organization of “professional bodies” produces the space in which this relation in time can be performed in public.
The question “what can a body do? locates production of knowledge and meaning in an experimentation with the body.
The study concerns three “productions of context” - in a public place; a research site and an interior public university site
- a 42 meters high swing in a bridge in the harbour of Gothenburg. (“Can Gravitation be Cancelled?”)
- The Atlas detector under construction at CERN; particle physics laboratory; Geneva
- “Myon Spin”; performance with dancers and myon detectors at KTH; Stockholm.
The machines at CERN; the swing and the myon detectors serve as “expanded bodies” in repetitive experiments through bodies “acting physics”.
Konst
Küchen; Maria ’Myonsång’; (poem för blästrad glasvägg i installationen Kosmisk strålning pågår/Muon; Gamla Gasverket; Värtahamnen; Kulturhuvudstad 98; Stockholm 1998 och Fysikens rum/Acting Physics; Lindstedts väg 30; KTH; Stockholm 1999)
Lilja; Efva ”Rörelsen som kroppens minne” (forskningsprojekt med stöd av Vetenskapsrådet; uppdelad i tre delar ”Minnet” 2003; ”Med ögat mitt i pannan” 2004 och ”Döden; döden!” 2005)
Lund; Gun ’Myonspin’ (koreografi i Fysikens rum/Acting Physics; Lindstedts väg 30; KTH; Stockholm 1999)
Samuelsson; Muon Song; (tonsatt verk för installationen Kosmisk strålning pågår/Muon; Gamla Gasverket; Värtahamnen; Kulturhuvudstad 98; Stockholm 1998 och Fysikens rum/Acting Physics; Lindstedts väg 30; KTH; Stockholm 1999)
Sand; Monica ’Kosmisk strålning pågår/Muon’ (installation 5 torn med detektorer Gamla Gasverket; Värtahamnen; Kulturhuvudstad 98; Stockholm 1998 och Fysikens rum/Acting Physics; Lindstedts väg 30; KTH; Stockholm 1999)
Sand; Monica ’Fysikens rum/Acting Physics’ (Lindstedts väg 30; KTH; Stockholm 1999)
Sand; Monica; ’Kan gravitationen upphävas?’ (Gunga i Älvsborgsbron; Göteborg; 2002)
Litteratur
Arendt; Hannah; Människans villkor : vita activa (Daidalos; Göteborg; 1998 (1958).
Deleuze; Gilles and Guattari; Félix; A thousand plateaus : capitalism and schizophrenia (Continuum; London; 2004 (1988).
Dempster; Elizabeth; ’Women Writing the Body: Let’s Whatch a Little How She Dances’; In: The Routledge dance studies reader. Carter; Alexandra (ed.) (Routledge; London; 1998); pp. 223-9.
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Grosz; Elizabeth; Space; time; and perversion : essays on the politics of bodies (Routledge; New York; 1995).
Knorr-Cetina; Karin D.; Epistemic cultures : how the sciences make knowledge (Harvard University Press; Cambridge; Mass.; 1999).
Küchen; Maria; Om grundämnen : [dikter] (Bonnier; Stockholm; 1998).
Morris; Robert; ’Anteckningar om skulpturen’; In: Från 60-tal till cyberspace. konsthögskolan; Kungl (ed.) (Raster; Stockholm; 1997 (1968); pp. 19-35.
Pakes; Anna; ’Art as action or art as object? The embodiment of knowledge in practice as research’ (Paper given at the Research into practise: Art and Design 3; University of Hertfordshire 2004)
Polhemus; Ted; ’Dance; Gender and Culture’; In: The Routledge dance studies reader. Carter; Alexandra (ed.) (Routledge; London; 1998); pp. 171-9.
Smithson; Robert: The Collected Writings (Flam; Jack (ed.) Univ. of California Press; Berkeley; Calif. 1996 (1959-1973).
Spindler; Fredrika; att se vetenskapen med konstnärens optik; men konsten med livets (Konsthögskolan Institutionen för konstvetenskap Umeå universitet; Umeå; 2004).
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Internet
http://www.atlas.ch
http://www.candoco.co.uk/
http://www.cern.ch
http://web.comhem.se/monicasand/actingphysics/fysikensrum.htm
http://www.danshogskolan.se/dh/forskning_ku/ku_projekt/rskm.html
http://www.zerogravity-art.nu