Publicerad: 2005-12-30
ISBN:
ISSN: 1650-3686 (tryckt), 1650-3740 (online)
Böcker
Erling Bjurström (1997): Högt & lågt: Smak och stil i ungdomskulturen; Umeå: Boréa.
Pierre Bourdieu (1979/1984): Distinction. A Social Critique of the Judgement of Taste; London: Routledge & Kegan Paul.
Pierre Bourdieu (1992/1996): The Rules of Art. Genesis and Structure of the Literary Field; Cambridge: Polity Press.
Pierre Bourdieu (1996/1998): On Television and Journalism; London: Pluto Press.
Nik Cohn (1969/1996): Awopbopaloobop Alopbamboom. Pop From the Beginning; London: Picador.
Mike Featherstone (1991): Consumer Culture & Postmodernism; London: Sage.
Johan Fornäs (1979): Musikrörelsen – en motoffentlighet?; Göteborg: Röda Bokförlaget.
Johan Fornäs (1985): Tältprojektet. Musikteater som manifestation; Stockholm/Göteborg: Symposion.
Simon Frith (1981/1983): Sound Effects: Youth; Leisure and the Politics of Rock ’n’ Roll; London: Constable.
Bernard Gendron (2003): Between Montmartre and the Mudd Club: Popular Music and the Avant-Garde; University of Chicago Press.
Jan Gradvall (1995): Artiklar; intervjuer; essäer 1981–1994; Stockholm: Koala Press.
Jan Gradvall (1997) (red): Fem meter upp i luften – en antologi om popmusik; Stockholm: Norstedts.
Håkan Lahger (1999): Proggen. Musikrörelsens uppgång och fall; Stockholm: Atlas.
Lars Lilliestam (1998): Svensk rock. Musik; lyrik; historik; Göteborg:Bo Ejeby Förlag.
Ulf Lindberg; Gestur Gudmundsson; Morten Michelsen & Hans Weisethaunet (2005): Rock Criticism from the Beginning. Amusers; Bruisers & Cool-Headed Cruisers; New York: Peter Lang.
Keith Negus (1992): Producing Pop. Culture and Conflict in Popular Music; London: Edward Arnold.
Leif Nylén (1998): Den öppna konsten. Stockholms allmänna konstförening.
Tommy Rander (1988): Rockens roll;Stockholm: Ordfront.
Thomas Ziehe & Herbert Stubenrauch (1982): Plädoyer für ungewöhnliches Lernen: Ideen zur Jugendsituation; Reinbek bei Hamburg: Rowolt.
Artiklar (utom tidningsartiklar)
Bjurström; Erling (1983): ”Det kommersiella tomrummet”; i Nordisk Forum 39–40.
Gudmundsson; Gestur (1999): “To Find Your Voice in a Foreign Language: Authenticity and Reflexivity in the Anglocentric World of Rock”; i Young; 7/2.
Laermans; Rudi (1992): “The Relative Rightness of Pierre Bourdieu: Some Sociological Comments on the Legitimacy of Postmodern Art; Literature and Culture”; i Cultural Studies; 6/2.
Lysander; Per (1972): ”Svensk popmusik. Innemusik eller kampmetod?”; i Ord & Bild 5.
Marcus; Greil (1969): ”Who put the Bomp in the Bomp De-Bomp De-Bomp?”; i Greil Marcus (red): Rock and Roll Will Stand; Boston: Beacon Press.
Nylén; Leif (1977): ”Musikrörelsen och masskulturens politisering”; i Ord & Bild 2–3.
Olsson; Mats (1997): ”New York 1976”; i Jan Gradvall; (red): Fem meter upp i luften. En antologi om popmusik; Stockholm: Norstedts.
Regev; Motti (1994): “Producing Artistic Value: The Case of Rock Music”; i Sociological Quarterly; 35/1.
Regev; Motti (1997): “Rock Aesthetics and Musics of the World”; i Theory; Culture and Society; 14/3.
Savage; Jon (1995): ”The Simple Things You See are all Complicated”; i Hanif Kureishi & Jon Savage (eds.): The Faber Book of Pop; London & Boston: Faber & Faber.
Personliga intervjuer:
Robert Christgau; New York 22.05.1998.
Tommy Rander; Göteborg 14.10.1998.
Lennart Persson; Malmö 12.05.1999.
Mats Olsson; Malmö 11.06.1999.
Håkan Lahger; Stockholm 14.06.1999.
Jan Gradvall; Stockholm 15.06.1999.
