Publicerad: 2011-11-22
ISBN: 978-91-7519-993-1
ISSN: 1650-3686 (tryckt), 1650-3740 (online)
Much discourse on contemporary musicking focuses on institutionalized and professionalized music; whether commercial or connected to elite institutions; and is often limited to a binary relationship between producer and consumer. When music is primarily regarded as a product we risk becoming blind to the dynamic character of music as an unfinished process; as a fundamental and widely disseminated human activity and behaviour.
This paper discusses the fact that present Swedish and global music milieus also include activities with a stress on multi-directional communication within small community and affinity groups; usually including strong elements of the oral-derived and the spontaneous. When music-making is multidirectional and partly improvised; and performed in an informal context; the boundaries between performer and audience may become fluid and blurred. What space is there for this kind of activity? Are music market and small-scale participatory activity always dichotomies? I will discuss these issues on the basis of key-words like everyday music-making and creativity; lifeworlds; flow; meaning-making and orality versus mediation in late modernity.
Auslander; Philip (1999). Liveness. Performance in a mediatized culture. London: Routledge.
Berger; Harris M & Del Negro; Giovanna P. (2004). Identity and everyday life. Essays in the study of folklore; music; and popular culture. Middletown: Wesleyan University Press.
Bjørkvold; Jon Roar (1991). Den musiska människan. Barnet; sången och lekfullheten genom livets faser. Stockholm: Runa.
Blacking; John 1974. How musical is man? Seattle: Univ. of Washington Press;
Csíkszentmihályi; Mihály (1990). Flow : the psychology of optimal experience. New York: Harper & Row
Csordas; Thomas (1994). ”Introduction: The body as representation and being-in-the-world”. Embodiment and experience. The existential ground of culture and self. Thomas J. Csordas (ed.) Cambridge: Cambridge University Press.
DeNora; Tia (2000). Music in everyday life. Cambridge: Cambridge University Press.
Dunn; Leslie C. & Jones; Nancy A. (ed.) (1994). Embodied voices. Representing female vocality in western culture. Cambridge: Cambridge University Press.
Elam; Katarina (2005). ”Vardagsestetik; sinneserfarenhet och den kulturella kroppen”. Kulturella perspektiv 3.
Elam; Katarina (2009). ”Körsång och lust. en undersökning av körsång som sinnlig aktivitet och erfarenhet”. Svensk tidskrift för musikvetenskap; STM online 12.
Fleischer; Rasmus (2009). Det postdigitala manifestet. Hur musik äger rum. Ink bokförlag.
Foley; John Miles (1991). Immanent Art: From Structure to Meaning in Traditional Oral Epic. Indiana University Press.
Gabrielsson; Alf (2008). Starka musikupplevelser. Musik är mycket mer än bara musik. Hedemora: Gidlund. Kungl. Musikaliska akademiens skriftserie 113.
Gardner; Howard (1983). Frames of mind : the theory of multiple intelligences. London: Paladin.
Gumbrecht; Hans Ulrich (2004). Production of presence. What meaning cannot convey. Stanford; California: Stanford University Press
Herndon; Marcia & McLeod; Norma (1982). Music as culture. 2. ed. Darby; Pennsylvania: Norwood Editions.
Korsmeyer; Carolyn (2004). Gender and aesthetics. An introduction. New York: Routledge
Lilliestam; Lars (2006). Musikliv. Vad människor gör med musik – och musik med människor. Göteborg: Ejeby.
Lundberg; Dan; Malm; Krister; Ronström; Owe (2000). Musik; medier; mångkultur. Förändringar i svenska musiklandskap. Hedemora: Gidlunds.
Lundberg; Dan & Ternhag; Gunnar (2002). Musiketnologi. En introduktion. Hedemora: Gidlunds.
Merriam; Alan P. (1964). The anthropology of music. Northwestern University Press.
Rice; Timothy (1987). “Toward the remodeling of ethnomusicology.” Ethnomusicology 1987 (31).
Small; Christopher (1998). Musicking. The meanings of performing and listening. Hanover: University Press of New England.
Åkesson; Ingrid (2007a). ”Vem är musikalisk specialist? Några tankar kring vokalt; instrumentalt och genus i folkmusiken.”. Norsk Folkemusikklags skrifter nr. 20; 2006. Musikk og dans som virkelighet og forestilling. Oslo.
Åkesson; Ingrid (2007b). Med rösten som instrument. Perspektiv på nutida svensk vokal folkmusik. (Svenskt visarkivs handlingar 5.) Stockholm; Svenskt visarkiv. Diss. Cd-bilaga.
