Konferensartikel

Culture and Urban Stories

Damiano Razzoli
Department of Communication Disciplines, University of Bologna, Italy

Ladda ner artikelhttp://www.ep.liu.se/ecp_article/index.en.aspx?issue=025;article=055

Ingår i: Inter: A European Cultural Studies : Conference in Sweden 11-13 June 2007

Linköping Electronic Conference Proceedings 25:55, s. 521-537

Visa mer +

Publicerad: 2007-11-27

ISBN:

ISSN: 1650-3686 (tryckt), 1650-3740 (online)

Abstract

The European Photography; held in Reggio Emilia (Italy) from April to June; displays the work of European artists. Photography meets the city; its people; and its culture. The theme of 2007; Cities/Europe; has a wider scope than last year’s The City.

The purpose of this paper is to analyze the discourse strategy that underlies the planning and definition of this event with a sociosemiotics approach. Both the text explaining the purpose of the Week and the texts; written or visual; by the artists build up together the meaning of the event itself and constitute a social and cultural reality. In this way photography becomes central to the cultural policy of the Reggio Emilia Municipality; targeting the belonging to Europe.

It helps understand the core of European identity; defined by social and cultural differences; and the inter¬connected experiences which the photographic discourse refers to and makes intelligible.

Nyckelord

Inga nyckelord är tillgängliga

Referenser

Appadurai; Arjun. 1996; Modernità at Large; Minneapolis: Minnesota University Press.

Barthes; Roland. 1980; La chambre Claire. Note sur la photographie; Paris: Gallimard.

Bazin; André. 1958; “Ontologie de l’image photographique”; in Qu’est-ce que le cinema?; Paris: Éditions du Cerf.

Berger; John. 1995; “Another Way of Telling”; in J.Mohr – J. Berger. Another Way of Telling; New York: Vintage.

Bourdieu; Pierre (eds). 1965; Un art moyen. Essais sur les usages sociaux de la photographie; Paris: Éd. de Minuit.

Chamboredon; Jean Claude. 1965; “Art mécanique; art sauvage”; in Bourdieu 1965; op. cit.

Clifford; James. 1986; Writing Culture. Poetics and Politics of Ethnography; University of California.

Colombo; Attilio. 1984; “Il linguaggio della fotografia”; in Progresso fotografico; n°12; Milano.

Dondero; Maria Giulia. 2005; “Floch e le forme dell’impronta”; in E/C; online review; Italian Association of Semiotics Studies; available at http://www.associazionesemiotica.it

Dondero; Maria Giulia. 2006; “Geografia della ricerca semiotica sulla fotografia”; in Basso Fossali; Pierluigi – Dondero; Maria Giulia (eds). Semiotica della fotografia. Investigazioni teoriche e pratiche di analisi; Rimini: Guaraldi.

Dubois; Philippe. 1983; L’acte photograpique; Bruxelles: Labor.

Dusi; Nicola. 2000; “Introduzione. Per una ridefinizione della traduzione intersemiotica”; in Versus; n° 85-86-87; pp. 3.54.

Dusi; Nicola. 2003; Il cinema come traduzione; Torino: Utet.

Eco; Umberto. 1975; Trattato di semiotica generale; Milano: Bompiani (1976. A Theory of Semiotica; Bloomington: Indiana U.P).

Eco; Umberto. 1979; Lector in fabula; Milano: Bompiani.

Eco; Umberto. 1984; Semiotica e filosofia del linguaggio; Torino: Einaudi (1984. Semiotics and the Philosophy of Language; Bloomington: Indiana U.P.)

Eco; Umberto. 1985; Sugli specchi; Milano: Bompiani.

Eco; Umberto. 1997; Kant e l’ornitorinco; Milano: Bompiani (1999. Kant and the Platypus; New York: Harcourt).

Edwards; Elizabeth – Hart; Janice. 2004; Photographs; Objects; Histories. On the Materiality of Images; London-New York: Routledge.

Fabbri; Paolo. 2000; “Il significante del mondo”; in Fabbri; Paolo – Marrone; Gianfranco (eds); Semiotica in Nuce II; Roma: Meltemi (da Fabbri; Paolo. 1991; “Le passioni del discorso”; in Carte semiotiche; n°7; pp. 28-37).

Fabbri; Paolo. 2003; Elogio di Babele; Roma: Meltemi.

Floch; Jean-Marie. 1986; Les formes de l09:46:51’empreinte; Periguex: Pierre Fanlac (trad. it. 2003; Le forme dell’impronta; Roma: Meltemi).

Genette; Gerard. 1987; Seuils; Paris: Seuil.

Gravano; Viviana. 1998; Crossing; Genova-Milano: Costa & Nolan.

Grazioli; Elio – Panattoni; Riccardo (eds). 2007; Fotografia Europea. Le città/l’Europa; Catalogo Fotografia Europea Reggio Emilia 2007; Bologna: Damiani.

Grazioli; Elio. 2007; “Le città/l’Europa”; in Grazioli – Panattoni 2007; op. cit.

Grazioli; Elio – Panattoni; Riccardo. 2007; “Introduzione”; in Grazioli - Panattoni 2007; op. cit.

Greimas; Algirdas Julien. 1984a; Du Sens 2; Paris: Seuil.

Greimas; Algirdas Julien. 1984b; “Sémiotique figurative et sémiotique plastique”; in Actes Sémiotique – Documents; n°60.

Greimas; Algirdas J. – Courtés; Joseph. 1979; Sémiotique. Dictionnaire raisonné de la theorie du langage; Paris: Hachette.

Hermans; Theo (ed). 1985; The Manipulation of Literature: Studies in Literary Translation; Londra-Sidney: Croom Helm.

Landowski; Eric. 1989; La société réfléchie; Paris: Éd. de Minuit.

Latour; Bruno. 1996; “On interobjectivity”; Mind; Culture & Activity; 3 (4); pp. 228-245.

Latour; Bruno. 2001; “Une sociologie sans objet? Note théorique sur l’interobjectivité”; in Marrone; Gianfranco – Landowski; Eric (eds). “La société des objets. Problèmes d’interobjectivité”; in Protée; vol. 29; I.

Le Goff; Jacques. 1994; L’Europa medievale e il mondo moderno; Roma-Bari: Laterza.

Lévi-Strauss; Claude. 1961; Entretiens avec G. Charbonnier; Paris; 10/18.

Lotman; Jurij M. 1985; La semiosfera; Venezia: Marsilio.

Lotman; Jurij M. 1993; Kul’tura i vrzyv; Moskva: Gnosis (trad. it. 1993; La cultura e l’esplosione; Milano: Feltrinelli).

Manetti; Giovanni. 1998; La teoria dell’enunciazione; Siena: Protagon.

Marra; Claudio (ed). 2001; Le idee della fotografia; Milano: Bruno Mondatori.

Marrone; Gianfranco. 2001; Corpi sociali; Torino: Einaudi.

Peirce; Charles Sanders. 1931-58; Collected Papers; Cambridge: Harvard Press University.

Pezzini; Isabella. 2004a; “Gli occhi di Saddam; immagini del nemico”; in E/C; online review; Italian Association of Semiotics Studies; available at http://www.associazionesemiotica.it Pezzini; Isabella. 2004b; “Semiosfera”; in Cometa; Michele (ed); Dizionario degli studi culturali; Roma: Meltemi.

Pozzato; Maria Pia. 2001; Semiotica del testo; Roma: Carocci.

Quintavalle; Arturo Carlo. 1979; “Il territorio della fotografia”; in Enciclopedia pratica per fotografare; Milano: Fabbri.

Rouillé; André. 1985; “Photographie; art et industrie”; in Arrouye; Jean (ed); Actes du Colloque International de Photographie; Aix-en-Provence.

de Saussure; Ferdinand. 1908-1909; Cours de linguistique générale; Losanne-Paris: Payot.

Scalabroni; Luisa. 2003; “Postfazione” to Floch 1986; op. cit.

Schaeffer; Jean-Marie. 1987; L’image précaire. Du dispositif photographique; Paris: Seuil.

Sedda; Franciscu. 2004; “Mediascapes e semiotica della cultura”; in E/C; online review; Italian Association of Semiotics Studies; available at http://www.associazionesemiotica.it

Silverstone; Roger. 1999; Why Study the Media?; London-Thousand Oaks-New Delhi: Sage Publication
Todorov; Tzvetan (ed). 1965; Théorie de la littérature. Textes des formalistes russes; Paris: Seuil.

Violi; Patrizia. 1997; Significato ed esperienza; Milano: Bompiani (2001. Meaning and Experience; Bloomington: Indiana U.P.).
Wenders; Wim. 1993. Once; Frankfurt em Mein: Verlag.

Citeringar i Crossref